Freshman Notes
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Freshman English 

 

Mr. Montague has posted each of the vocabulary lesson packets on his website.  His classes' due dates are NOT the same as ours, so please disregard them.  Feel free to print the lessons and/or words if you've forgotten or lost the packet I gave you. 

 

Vocabulary Link:    http://staff.gpschools.org/montaga/Freshmen/Vocab%202009/Fresh%20Voc%20Sched%2009.htm

 

 

Short Story Literary Analysis Paragraphs

 

Paragraph 1-give a brief summary of the story without spoiling the ending.  Include the author, title, and genre.

 

Paragraph 2-Pick one literary element and discuss the impact on the story and reader.

 

Short Story Basic Requirements

 

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minimum 4 typed double spaced Times New Roman 12 pt. font

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must use words from the 6 vocabulary lessons

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must use antagonist, protagonist, characterization, plot (conflict, rising action, climax, falling action, resolution, denouement), exposition, figurative language, imagery, foreshadowing, irony, mood, point of view, setting, tone--symbolism and flashback are also options

 

Eight Parts of Speech

 

1.             Noun-     person, place, thing

2.             Verb-      indicates action or state of being

State of Being Verbs:

am           is             are           was         were        be            being      been

do           does       did          have       has          had         may         must

might      shall        should    can          could      will          would     taste

feel          look        smell

3.                    pronoun-takes the place of a noun

4.                    adjective-modifies (describes) nouns and pronouns.  Answers questions---what 

               kind, how many, and which one(s)

5.             adverbs-modifies (describes) verbs, adjectives, and other adverbs---usually ends

       in –ly.  Answers the questions—how, when, where, and to what extent.

 6.                    preposition-relates its object to another word in the sentence.

 7.             interjection-shows excitement or emotion.

 8.             conjunction-combines words, phrases, and clauses

 

Basic Essay Structure

 

Introductory Paragraph

 

Sentence 1:    Introduce Topic (no opinion)

 

Sentence 2-3:  Narrow Focus

 

Sentence 4:    Thesis Statement

 

Body Paragraph(s)

 

Sentence 1:    Topic Sentence

 

Sentence 2:    Example To Support Topic Sentence

 

Sentence 3:    Explanation of Example

 

Sentence 4:    Example To Support Topic Sentence

 

Sentence5:    Explanation of Example

 

Sentence 6:    Restate Topic Sentence

 

Concluding Paragraph

 

Sentence 1:    Restate Thesis Statement

 

Sentences 2-3:  Summarize Main Points (Topic Sentences)

 

Sentence 4:    Clincher (Slam The Door!)

 

 

Choose One of The Following and Write A Response on loose leaf paper using one side of the paper only:

 1.       What is the difference between the law of love and fellowship in the Southland and the law of club and fang in the Northland?   Explain.  Be sure to use examples.

 2.       In their fight to the death, why is Buck able to defeat Spitz?  Explain.  Be sure to use examples.

3.       What conflicts that Buck has experienced seem to be the most challenging?  Explain.  Be sure to use examples.

 

Week 2 Vocabulary Words and Exercises:

Week 1 vocabulary words:  archaic, argot, connotation, denotation, idiom, jargon, semantics, slang, standard, vernacular

Review for Freshman English Second Semester Final Exam

Your exam will consist of two equally weighted parts:

Part I:  You will have 45 minutes to complete 42 multiple choice questions – You will read several poems or short passages and for each        of them you will respond to several multiple choice questions.  These questions could pertain to theme, language, sentence structure, figures of speech, conflict, characterization, literary techniques or conventions, tone, rhetorical techniques, or paraphrase.

Part II:  You will have 45 minutes for the Constructed Essay Response – You will be asked to read a passage and respond in writing to a prompt. The prompt will ask you to identify imagery and figurative language and evaluate how effectively it helps the author to convey a message to readers.

 Terminology:  Know these terms for the final exam. These terms are used in the questions or the multiple-choice options in Part I of the exam. They could also be terms you will look for and discuss in your written response in Part II of the exam.  

                                                                                                                                                Monologue

Sentence                                                Paraphrase                                                            Drama

Phrase                                                    Sensory  Images/Imagery                                   Act

Clause                                                    Alliteration                                                            Scene

Antecedent                                           Onomatopoeia                                                      Stage Directions

                                                                Internal Rhyme                                                     Dialogue

Conflict                                                  End Rhyme                                                            Characters

Atmosphere/Mood                              Rhyme Scheme                                                     Soliloquy

Theme                                                    Stanza                                                                    Aside

Character                                               Couplet                                                                                 

Setting                                                   Quatrain                                                                 Main Idea

Resolution                                             Meter                                                                     Supporting Details

                                                                Iambic Pentameter                                                Inferences

                                                                Blank Verse                                                           Drawing Conclusions

Figurative Language                           Free Verse                                                            

Paradox                                                  Sonnet                                                                                                                                  

Contrast                                                 Tone                                                                       The Writing Process

Simile                                                      Theme                                                                    Pre-Writing/Brainstorming

Metaphor                                                                                                                              Drafting

Personification                                     Flashback                                                              Revising

Hyperbole                                             Foreshadowing                                                    Editing

Symbol                                                   Verbal Irony                                                          Publishing

                                                                Situational Irony

Rhetorical Techniques                        Dramatic Irony

Parallel Structure                                  Allusion

Repetition

Connotation of a word

Denotation of a word

Tone

Appeals to reason, emotion, and authority (see below)

 

Appeal to reason – A call upon the reader’s ability to think in a rational way in order to persuade the reader’s thoughts.

Appeal to Authority – A call upon an individual or other source as an expert to strengthen an argument made by the author of a work.

Appeal to emotion – This is a popular approach in arguments. Instead of presenting evidence in an argument, it relies on expressive language and other devices calculated to incite enthusiasm, excitement, anger, or hatred on the part of the reader.

5/21/08 Impromptu Scenario

Scenario: Speaking up

I was at a party, relaxed, enjoying myself when the joke telling began: “There were three ______ who went to the …” The joke progressed. It was clearly demeaning to a group of people.

The face of my close friend and colleague popped into my mind – he is a member of the group being debased. Two different voices – the proverbial angel and devil on my shoulder – filled my head.

“Leslie, say something! You know you don’t support this!”

“Relax it’s a party! Have fun…lighten up. People won’t like you if you can’t take a joke.”

“Speak up, you coward! You can’t talk about valuing diversity all day at work and then stereotype people for entertainment at night. Be true to yourself.”

In those long seconds while I twitched and struggled with what to do, the disk jockey, who was sitting with us on a break, simply said, “Whoa! I’m not going there. I think I'd rather get something to drink.” He got up and walked across the room. I hopped up and followed him: “Great idea.”

I’ll never forget what happened next. Others in the group joined us at the bar, leaving only two people to hear the joke’s punch line. I was amazed. Few of us wanted to hear the joke, but we went along anyway. It took just one voice – one person casually speaking up against disrespect – to shift the entire conversation.

 

Lit Analysis/Lit Crit

Intro            Include poet's name and discuss overall impression of the poet's work

 

Body 1        Summarize and focus on the main poem you've chosen.  Discuss its strengths and flaws.  Be 

                    sure to give examples and identify line numbers.

 

Body 2        Recommendations--Would you recommend people read the poet's work?  Why or why not--                    or both.

 

Concl        Wrap it up! 

 

Include bibliography

 

#___________________                                            Name_______________________

                                                                                    Date_____________Hour_______

Poetry Research Project

Poet’s Name____________________________________________

 Three Poems____________________________________________

                     _____________________________________________

                      _____________________________________________

 Romeo and Juliet Final Project

1.      Neat and creative cover -- 5 points
You can print pictures to put on your cover or you can draw one.  The cover should be neat--don’t clutter it.  Include your name, date, hour, and number.

2.      Create two license plates --  10 points

Using letters and numbers, create a “custom vanity plate” that capture a theme or important aspect of the play.  You may use the license plate creator at the following website: http://www.acme.com/licensemaker/licensemaker.cgi?state=.  In addition, you must write a ½ page double spaced explanation for each license plate you created.  Discuss and defend why it is important to the play. 

3.     Create a scrapbook page for Romeo OR Juliet – 15 points 
Give a short description of each item included.  What type of items might he/she have saved as a reminder of important times in his/her life?  Minimum of 3-5 related items on each page with a minimum of 5 pages.

4.      Write a four-paragraph essay -- TYPED – 20 points
Use this prompt:  Who was most responsible for the deaths of Romeo and Juliet?   Explain and support with examples from the play.
               
TOTAL POINTS POSSIBLE: 50 POINTS    

DUE DATE:  TUESDAY, APRIL 29, 2008 (You will have additional assignments during this time; that is why you have been given such a long amount of time to finish the project.  This is an important lesson in planning and time management.  This is an important grade—please take it seriously. 

License Plate Builder website:

http://www.acme.com/licensemaker/licensemaker.cgi?state=

Reading Delia: Sonnet 1

Student Name ___________________________________________________ Date ________________

INSTRUCTIONS: Read the following sonnet and respond to the questions below. Note that the sonnet is written in Early Modern English, so some words may look odd to you. With a little effort, you should be able to discern the meaning (hint: sometimes "v" replaces "u," or vice-versa, as in "Vnto" or "reueale"). Use the space between lines to annotate unclear passages.

Delia. Contayning certayne Sonnets: vvith the complaint of Rosamond.

by Samuel Daniel

TO DELIA

Sonnet I.

Vnto the boundles Ocean of thy beautie Runs this poore riuer, charg'd with streames of zeale: Returning thee the tribute of my dutie, Which heere my loue, my youth, my playnts reueale. Heere I vnclaspe the booke of my charg'd soule, Where I have cast th'accounts of all my care: Heere have I summ'd my sighes, heere I enroule Howe they were spent for thee; Looke what they are. Looke on the deere expences of my youth, And see how iust I reckon with thyne eyes: Examine well thy beautie with my trueth, And crosse my cares ere greater summes arise. Reade it sweet maide, though it be doone but slightly; Who can shewe all his loue, doth loue but lightly.

Permission is granted to educators to reproduce thi s worksheet for classroom use 'You Kiss by the Book': Shakespeare's Romeo and Juliet — http://edsitement.neh.gov/view_lesson_plan.asp?id=303

1. Write the rhyme scheme of the sonnet below or next to the lines in the poem above.

 

2. Which sonnet form does this rhyme scheme more closely resemble? What might the rhyme scheme indicate about the organization of the content of the sonnet?

 

3. Identify and explain the metaphor in the first line that Daniel uses to characterize Delia’s beauty.

 

4. How do the metaphors in the next three lines extend the opening metaphor into a conceit? Be sure to explain the other metaphors as they relate to the one in the first line.

 

5. In the next eight lines, Daniel develops an even more elaborate conceit built upon the business ledger. Explain the metaphor associated with this ledger and how Daniel extends this metaphor into a conceit in the subsequent lines. What other metaphors does he use and what do they compare?

 

6. The last two lines usually comment on the rest of the sonnet, making the sonnet’s point clear. What do these lines say is the point that the speaker of the sonnet is trying to make? How does that point apply to the rest of the sonnet and the conceits used?

 

7. The name "Delia" is an anagram for another word that helps to explain the speaker’s attitude toward the woman to whom he speaks. Decipher the anagram and explain how the new word applies to her.

 

 

Sonnet Unscrambler

Student Name ___________________________________________________ Date ________________

Try your knowledge and luck to unscramble the following sonnet. Then determine its meaning and message:

Rough winds do shake the darling buds of May,

And often is his gold complexion dimm’d,

And every fair from fair sometime declines,

So long lives this, and this gives life to thee.

But thy eternal summer shall not fade,

Sometime too hot the eye of heaven shines,

So long as men can breathe or eyes can see,

By chance or nature’s changing course untrimm’d

Nor lose possession of that fair thou ow’st,

Thou art more lovely and more temperate:

Nor shall Death brag thou wand’rest in his shade,

Shall I compare thee to a summer’s day?

When in eternal lines to time thou grow’st.

And summer’s lease hath all too short a date;

Hints for Unscrambling the Sonnet

Sonnets are often organized in much the same way as a paragraph.

1. Locate the 2 lines that provide an introduction and generalization about the sonnet's subject. These will begin the sonnet.

2. Find the two rhyming lines that explain what the overall point of the sonnet is. These will be sonnet's concluding lines.

3. Group the lines by rhyme, then group them by subject. See if the end punctuation to each line provides some clues to grouping.

4. Look at the beginning word in each line. If the line begins with a conjunction, such as and, but, or, nor, for, yet, or so, try to find the line before it that links with it in content. Look for conjunctions that show a contrast to the previous thoughts, such as but or yet. These introduce an important shift in thought or a different angle on the subject and can help with grouping the lines by meaning. Based on the number of lines that take the same angle on the topic, determine where the shift in the sonnet occurs.

#__________________                                                                    Name_____________________________

Directions:  You are one of Martin Luther King’s children and you have been asked to give a speech honoring your father.  Before you can really do this, you need to know who you are.  Answer the following questions to help you get into “character” before you write your speech.  This sheet is due Friday, December 2 with your completed speech.

What is your name?

 

How old are you? 

 

When and where were you born? 

 

Do you have any memories of your father Martin Luther King?

 

What do you believe his greatest accomplishment was?

 

What do you believe his legacy to be?

 

What is your greatest accomplishment?

 

What do you want your legacy to be?

 

Where do you live?

 

How long have you lived there?

 

What do you like about living there?

 

What would you change about living there?

 

What do you do for a living?

 

Did you attend college?

 

Have you earned any college degrees?

 

Have you earned any awards or special recognitions?

 

Do you have a family?

 

If yes, who does it consist of?

 

Are you married?

 

If yes, for how long?

 

Are you a parent?

 

If yes, how many children?

 

What are their names and ages?

 

What is your greatest childhood memory?

 

What is your worst childhood memory?

 

What goals have you set for yourself?

 

Have you achieved them?

 

What is the best thing about being Martin Luther King’s child?

 

What is the worst thing about being Martin Luther King’s child?

 

Anything else you would like to add?

 

What day have you chose to give this speech?

 

Why have you chosen that day?   What is the significance?

 

What location have you chosen for the speech?

 

Why have you chosen that location?   What is the significance?

 

Why did you agree to make the speech?

 

What is the title of your speech?

 

MLK Dream Speech Assignment

Read and discuss MLK’s Dream Speech

Fill out the MLK form

They should create a situation in their minds that will allow them to become the person they created so that the speech they write and deliver will be realistic and believable.  When they finish the form, they work on their speeches. 

They should consider using repetition, allusion, imagery, and other literary techniques to make their speech better. 

The form will be turned in with their speeches.   

They will be presenting their speeches in class as well as handing them in. 

You are one of Martin Luther King’s children.  You have been asked to make a speech honoring your father. You’ve been asked to address what he spoke of and fought for in your speech.  You must write the speech, title it, decide where it will be given (location) and when (date).  You should look at MLK’s I have a dream speech to see examples of the use of repetition, allusion, imagery, parallelism, as well as other literary techniques that will improve your speech.

Writing Assessment

Non-Fiction

“Thinking Like a Mountain”

Aldo Leopold

Analyze how Leopold’s language encourages and illustrates the relationship between humans and nature.

 

 A TRUE STORY

 

By the age of four, Roger Dean Kiser had been abandoned, first by his parents and then his grandparents and placed in a Florida orphanage. Unable to adapt to the difficult, often cruel and abusive environment of the orphanage, and stigmatized by his repeated attempts to run away, he was transferred to a Florida reform school at age twelve.

 

 


 

Butterflies
Roger Dean Kiser
 
         
There was a time in my life when beauty meant something special to me. I guess that would have been when I was about six or seven years old, just several weeks or maybe a month before the orphanage turned me into an old man.
     I would get up every morning at the orphanage, make my bed just like the little soldier that I had become and then I would get into one of the two straight lines and march to breakfast with the other twenty or thirty boys who also lived in my dormitory.
     After breakfast one Saturday morning I returned to the dormitory and saw the house parent chasing the beautiful monarch butterflies who lived by the hundreds in the azalea bushes strewn around the orphanage.
     I carefully watched as he caught these beautiful creatures, one after the other, and then took them from the net and then stuck straight pins through their head and wings, pinning them onto a heavy cardboard sheet.
     How cruel it was to kill something of such beauty. I had walked many times out into the bushes, all by myself, just so the butterflies could land on my head, face and hands so I could look at them up close.
     When the telephone rang the house parent laid the large cardboard paper down on the back cement step and went inside to answer the phone. I walked up to the cardboard and looked at the one butterfly who he had just pinned to the large paper. It was still moving about so I reached down and touched it on the wing causing one of the pins to fall out. It started flying around and around trying to get away but it was still pinned by the one wing with the other straight pin. Finally its wing broke off and the butterfly fell to the ground and just quivered.
     I picked up the torn wing and the butterfly and I spat on its wing and tried to get it to stick back on so it could fly away and be free before the house parent came back. But it would not stay on him.
     The next thing I knew the house parent came walking back out of the back door by the garbage room and started yelling at me. I told him that I did not do anything but he did not believe me. He picked up the cardboard paper and started hitting me on the top of the head. There were all kinds of butterfly pieces going everywhere. He threw the cardboard down on the ground and told me to pick it up and put it in the garbage can inside the back room of the dormitory and then he left.

< 2 >

     I sat there in the dirt, by that big old tree, for the longest time trying to fit all the butterfly pieces back together so I could bury them whole, but it was too hard to do. So I prayed for them and then I put them in an old torn up shoe box and I buried them in the bottom of the fort that I had built in the ground, out by the large bamboos, near the blackberry bushes.
     Every year when the butterflies would return to the orphanage and try to land on me I would try and shoo them away because they did not know that the orphanage was a bad place to live and a very bad place to die.

Final TKAM Writing Prompt

Topic:  Social Criticism and TKAM

Thesis:

To Kill A Mockingbird is more than just a story.  It is a stand against injustice and the mistreatment of people.

 

List of Elements

Character: a person or animal who takes part in the action of a literary work.

Main Character: protagonist who is the most important individual in the story, the focus of the reader's attention

Round Character: full developed with both good and bad traits revealed and background is revealed

Flat Character: possesses only one or two traits

Dynamic Character: changes during the story

Static Character: does not change during the story

Climax: the highest point of interest or suspense

Conflict: a struggle between opposing forces

External Conflict: character struggles against some outside person or force

Internal Conflict: struggle takes place within the protagonist's mind to reach some new understanding or decision

Drama: a story written to be performed by actors

Fiction: prose writing that tells about imaginary characters and events

Flashback: a section of a literary work that interrupts the sequence of events to relate an event from an earlier time.

Foreshadowing: clues that suggest events that have yet to occur, what may happen next, creates suspense

Irony: techniques that involve surprising, interesting, or amusing contradictions

Plot: sequence of events that contains conflicts, climax, and resolution

 

TKAM Chapter 23 Study Questions

 

1.  How did Bob Ewell confront Atticus?  How did Atticus react?  What does Atticus's reaction reveal about his character?

 

2.  What does circumstantial evidence mean in terms of Tom's trial?

 

3.  Why don't Maycomb citizens sit on juries in their town?

 

4.  Why does Scout want to befriend Walter Cunningham now (after learning more about the inner workings of the trial)?

 

5.  Why does Aunt Alexandra accept that the Cunninghams may be good but are not "our kind or folks"?  Do you think that people should mix only with others of the same social class and/or race?  Are class/race-divisions good or bad for societies?

 

6.  Identify evidence in the story that reveals Scout is naive and childlike and Jem is more mature and adult-like in his understanding of people.

 

WRITING ASSIGNMENT - Of Mice and Men

Of Mice and Men Essay  

bulletYour essay must be a minimum of 5-6 paragraphs
bulletYour body paragraphs must be a minimum of 8-10 sentences long
bulletYou must include at least 2 quotes per paragraph from the book to support your statements—these quotes may be direct or indirect quotes, however, you must put the page number in parenthesis
bulletYour essay is due on ___Monday, December 3, 2007_____________________
bulletThe prompt is listed below. 

 

 

PROMPT

Now that you have completed reading the novelette, you know that George kills Lennie.

This act is presented as the humane thing to do for Lennie, which it very well could have been.

Playing Devil's Advocate, though, one could ask if, indeed, this was the correct decision. If

Lennie had been taken to trial, perhaps he would have been excused on grounds of lack of mental

competence and may have been given a better life than he had had with George.

In this writing assignment, we're putting George on trial for murdering Lennie. You are to

become either the attorney for George's defense or the prosecuting attorney. Your assignment is

to write your closing arguments to the jury. (Closing arguments are a lawyers final summary of

his case and his best efforts at persuading the jury to his side.)


PREWRITING

To begin, decide which side you want to take--George's defense or the prosecution. On a

piece of paper, jot down the main points, the facts which will support your case. Decide which

points are your strongest and which of the arguments you will make are weaker. Organize your

points from weakest to strongest and jot down anything you can think of which will support or

explain your points.

 

DRAFTING

Begin with an introductory paragraph in which you introduce the jury to your side of the

case. Follow that with one paragraph for each of the main points you have to support your case.

Fill in each paragraph with examples and facts which support your main point. Then, write a

paragraph in which you make your final closing statements.

 

PROMPT

When you finish your rough draft, ask a student who sits near you to read it. After reading

your rough draft, he/she should tell you what he/she liked best about your work, which parts were

difficult to understand, and ways in which your work could be improved. Reread your paper

considering your critic's comments and make the corrections you think are necessary.

 

PROOFREADING

Do a final proofreading of your paper double-checking your grammar, spelling, organization, and

the clarity of your ideas.

 

 

Study Questions and Answers - Of Mice and Men

Chapter 1

1. Identify and give a physical description of Lennie and George. 

Lennie was a huge man, shapeless of face with large, pale eyes, with wide, sloping shoulders, and he walked heavily, dragging his feet a little. Lennie is George's friend, who is not very smart but is an extremely strong man and a good worker.

George was small and quick, dark of face, with restless eyes and sharp, strong features. He had small, strong hands, slender arms, a thin and bony nose. George took care of Lennie as they traveled together.

 

2. What is George's first complaint to Lennie?

George's first complaint is that Lennie is drinking too much water. This is just the first of a series of complaints George has about Lennie. He is almost always complaining about Lennie, but that doesn't change the fact that he appreciates Lennie's companionship.

 

3. What trouble did George and Lennie have in Weed?

All we learn in chapter 1 is that some men came after George and Lennie for something they had done. We later learn that apparently Lennie touched a girl's dress to feel the material. When she tried to move, he got excited and confused and held on even tighter. The girl accused him of trying to rape her, and that's when the men came looking for him.

 

4. What is in Lennie's pocket? Why does he have it?

A dead mouse is in Lennie's pocket. He has it because he likes to pet soft things.

 

5. George bursts into a long speech about what he could do if he were alone. What could he do?

He could take his money and go to a cat house or out drinking whiskey all night or spend his time playing cards at a pool hall; in short, the things the lonely ranch hands do.

 

6. Lennie offers to go away and live in a cave. What is George's response?

He tells Lennie that Lennie wouldn't survive, that he couldn't find any food or take care of himself. Then, he admits to Lennie that he doesn't want him to go.

 

7. Why are George and Lennie different from the other "guys like us that work on ranches"?

They are different because each one has the other to look out for him.

 

8. What are George and Lennie going to do someday?

Someday George and Lennie are going to have a little piece of land with a little shack. They'll have some animals and some crops -- especially a little alfalfa patch so Lennie can pick it and feed the rabbits. They're going to live off the fat of the land, where no one can tell them to get out or boss them around.

 

9. What two things does George want Lennie to remember?

George wants Lennie to remember to not say anything when they talk to the boss and to return to this campsite if he gets into trouble.

 

10. Why did George want to camp overnight instead of going another quarter of a mile to the

ranch?

At the ranch in the evening there would be too many people for Lennie to deal with at once; he might get confused. Also, it would give Lennie a chance to prove himself as a good worker before everyone would discover how slow he was mentally.

 

Chapter 2

1. What does George answer when the boss asks what he is trying to put over?

He says he isn't trying to put anything over, that he and Lennie travel together; they are cousins. He says that Lennie is slow mentally because he got kicked in the head by a horse, but that he is a strong, good worker who follows orders well.

 

2. Identify and describe Curley.

Curley was the boss' son. He was a young man with a brown face, brown eyes and a head of tightly curled hair. He wore a work glove on his left hand, and he wore high-heeled boots. Curley was a little man, but had been a boxing champion. He didn't like anybody and was always picking fights.

 

3. The swamper said, "Seems like Curley ain't givin' nobody a chance." Explain.

If Curley would fight a big man and win, everyone would think he was very strong and would congratulate him. If Curley would fight a big man and lose, everyone would feel sorry for him and tell the big man to pick on someone his own size. Either way, Curley would come out the favorite of the crowd.

 

4. What advice does George give Lennie after Curley and the swamper leave?

George tells Lennie to stay away from Curley, that he is nothing but trouble. Lennie replies that he doesn't like this place, and he wants to leave.

 

5. Identify Slim and Carlson.

 

Slim and Carlson are other ranch hands. Slim seems very reasonable and respected and tries to understand George and Lennie. Carlson is later responsible for killing Candy's dog.

 

6. What does Slim have that Lennie wants?

Slim's dog has just had a litter of puppies. Lennie wants one.

 

Chapter 3

1. Slim and George have a long conversation. Slim says it's funny how George and Lennie go around together. What is George's answer?

He explains that Lennie had no one else to take care of him, and George assumed the responsibility. He admits that Lennie is a pain in the neck sometimes, but that "you kinda get used to going around with a guy and after a while you can't get rid of 'm."

 

2. Identify Candy.

Candy is the swamper. He is an older man who has at some time lost one hand. He has an old dog he raised from a pup and although he realizes that the dog must be in misery, he can't bring himself to shoot it.

 

3. What did Carlson do with his Luger? Why?

Carlson shot Candy's dog to put it out of its misery because Candy couldn't bring himself to do it.

 

4. What card game does George play?

George plays solitaire.

 

5. Describe Curley's wife. What's the problem about her?

Curley's wife dresses and acts like a tramp, according to the men. The problem is that she is lonesome since Curley won't let her talk to anyone. She keeps coming around the bunkhouse and barn to talk to the men (and to make advances), and then Curley gets jealous and mad with the men and tries to start fights.

 

6. What will Lennie's job be when he and George get their land?

Lennie's job will be to tend the rabbits.

 

7. What does Candy want when he hears about George's and Lennie's plans? What is he willing to contribute?

Candy wants to join George and Lennie on their land. He is willing to put up several hundred dollars he has saved.

 

8. Why did Curley fight with Lennie? What happened?

Lennie was smiling, thinking about the land when Carlson and Candy were verbally attacking Curley. Curley sees Lennie smiling and assumes he is laughing at him. Curley begins beating on Lennie, who remains with his hands at his sides until George tells him several times to go ahead and fight back. Lennie grabs Curley's hand, and although he wasn't trying to hurt him, he crushes the hand, breaking several bones.

 

Chapter 4

1. Identify Crooks.

Crooks is the black stable hand. He has apparently worked on this ranch for some time, judging from his accumulated possessions.

 

2. Lennie tells Crooks about the land. What is his reply at first?

Crooks tells Lennie that he is nuts. He says he's seen hundreds of hands come and go with the same dream of having a piece of land, and none of them ever actually did get any land. "Nobody gets to heaven, and nobody gets no land. It's just in their head."

 

3. What does Crooks want when he believes there might really be land?

He wants to join the men on the land and will work for free, for just being able to live there.

 

4. Why did Curley's wife come to the barn?

She was looking for Curley, she said, but she actually came to talk to the men and find some company.

 

5. Why did Crooks change his mind after Curley's wife left?

He realized that the dream could never come true for him. He was a Negro who had just been put in his place by a white woman, and this fact brought back the harsh reality of his life.

 

Chapter 5

1. What happened to Lennie's puppy? What is his reaction?

Lennie's puppy died because he handled it too roughly. He knows George is going to be mad, and he thinks George won't let him tend the rabbits now.

 

2. Why did Curley's wife come to see Lennie?

Curley's wife came to see Lennie because she figured out that he crushed Curley's hand and wouldn't be afraid of Curley anymore -- he was the most likely candidate for her advances at this time.

 

3. What did she tell Lennie?

She told Lennie that she didn't like Curley and that she had had other opportunities to go places and make something of herself, but she couldn't take advantage of them, so she married Curley as the next most likely way to get out of her hometown.

 

4. Why did Lennie kill Curley's wife?

Curley's wife invited him to feel her soft hair. As we may have guessed from the foreshadowing event in Weed, he gets a little too rough and when Curley's wife starts to struggle, he gets confused and holds even tighter. When she starts to yell, Lennie thinks George will hear and will be mad that he is communicating with the woman, so he covers her mouth. Lennie gets more and more confused as to what to do (thinking that between the puppy's death and his talking to Curley's wife, George is going to be furious). Finally,

he shakes her and her neck snaps.

 

5. What was George's reaction when he found out about Curley's wife's death?

He didn't want the men to think he had anything to do with it, and then he tried to think how he could protect Lennie. He went and got his hat and coat and the Luger before he joined the men.

 

6. What was Curley's reaction to his wife's death?

Curley was furious, and right away assumed Lennie had done it. He was out for revenge to kill Lennie.

 

Chapter 6

1. How and why did George kill Lennie?

George met Lennie at the old campsite and tried to tell him he wasn't mad. He realized that the only way to protect Lennie from the devastating punishment which would be inflicted upon him was to kill him. He made up with Lennie and talked to him about the land, making Lennie look across the water to "see" it. Then he shot him with the Luger in the most humane way possible. George did what he had to do as Lennie's friend.

 

2. Who is the only one who really understands what George did?

When the men arrived, Slim was the only one who could sympathize with George. Because of their earlier conversation, he understood the relationship between George and Lennie.

 

 

Registers of Language

 

Frozen--Language that is always the same--it doesn't change (Lord's Prayer, Pledge of Allegiance, etc)

 

Formal-The standard sentence syntax and word choice of work and school.  Has complete sentences and specific word choices.

 

Consultative-Formal register when used in conversation.  discourse pattern not quite as direct as formal register.

 

Casual-Language between friends and is characterized by a 400-800 word vocabulary.  Word choice general and not specific.  Conversation dependent upon nonverbal assists.  Sentence syntax often incomplete.

 

Intimate-Language between lovers or twins.  Language of sexual harassment.

 

Adapted from Martin Joos's research by Ruby K. Payne, A Framework for Understanding Poverty.

 

Casual

Formal

What up dawg? How are you?

 

 

Elements of a Short Story

A short story is a short work of fiction. Fiction, as you know, is prose writing about imagined events and characters. Prose writing differs from poetry in that it does not depend on verses, meters or rhymes for its organization and presentation.

Novels are another example of fictional prose and are much longer than short stories. Some short stories, however, can be quite long. If a a short story is a long one, say fifty to one hundred pages, we call it a novella.

American literature contains some of the world's best examples of the short story. Readers around the world enjoy the finely crafted stories of American writers such as O. Henry, Stephen Crane, Jack London, Mark Twain and Edgar Allen Poe.

What makes these authors such remarkable short story writers? They are true masters at combining the five key elements that go into every great short story: character, setting, conflict, plot and theme. (http://users.aber.ac.uk/jpm/ellsa/ellsa_elements.html)

Helpful Definitions

Plot-A plot is a series of events related to a central conflict or struggle.  A typical plot involves the introduction of a conflict, its development, and its eventual resolution.  Terms used to describe elements of plot and descriptions of them can be found on page 951 of the Freshman Lit Book.

Flat Character-exhibits a single dominant characteristic (also called one-dimensional or caricature)

Round Character-is one who exhibits the complexity of traits associated with actual human beings (also called three dimensional or full)

Static Character-one who does not change during the course of the action

Dynamic Character-one who does change

Stock character- is one found again and again in different literary works.

Symbol-a thing that stands for or represents both itself and something else.

Denotation-dictionary definition

Connotation-an emotional association attached to a word or expression

Reading for SOAPS Notes

What is the Subject? the general topic, content, ideas contained in the text.

What is the Occasion? the time and place of the piece, the

situation that provoked the writer to write?

Who is the Audience? the group of readers to whom the piece is directed.

What is the Purpose? the reason behind the text.

Who is the Speaker? the voice behind the text, what do you know about him/her from reading the text?

 

Grammar Notes

Eight Parts of Speech

1.             Noun-     person, place, thing

2.             Verb-      indicates action or state of being

State of Being Verbs:

am           is             are           was         were        be         being     been

do           does       did          have       has          had         may      must

might      shall     should    can          could      will        would  taste

feel          look        smell

3.                  3.             pronoun-takes the place of a noun

4.                    adjective-modifies (describes) nouns and pronouns.  Answers questions---what 

              kind, how many, and which one(s)

5.             adverbs-modifies (describes) verbs, adjectives, and other adverbs---usually ends

                in –ly.  Answers the questions—how, when, where, and to what extent.

6.                    preposition-relates its object to another word in the sentence.

                about        beneath          in            past       

                above        beside             inside    since